Then and now, critics have derided the genre for its lack of creativity and rigid adherence to formula. The mainstream popularity of the music and the development of so-called “super clubs” in the mid-’90s led to a pumped-up, bombastic and accessible sound that was widely derided by DJs who served smaller, more discerning dance floors. Yet, like many dance music genres engineered for mass consumption, there’s often some good to go with the bad-but it’s usually only obvious in hindsight.īy the late-’00s, house music had long since experienced a kind of schism that had split the scene between its commercial and underground incarnations.
Even today, it’s pretty safe to say that “big room” house music doesn’t have the best reputation.
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